Albania: ANDI HILA

21/05/2007

ANDI HILA

Andi Hila
was born in 1970

Lives and works in Shkodra

This painting belongs to a triptych where Andi Hila represents the buildings and the way people would look as we were 50 years ago

He actually builds the painting transporting the same buildings and people in the nowadays reality, with new body movements and especially with a new point of view in the representation.

It is a consideration about a new post- communist way of painting through indeed a new figurative and space composition and a definitive changed approach to the representation of men and citizens.Painting people from the back it is like exploring a new man no more looked but who is now looking.

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albaniavisualart said...: Andi Hila

Born in 1970, Shkoder
Lives and works in Shkoder
1988 – 1992 Academy of Fine Arts Tirana, Atelier of Monumental Painting

Exhibitions:

2007 - May- 37 International exhibition European Academy of Art . Gembloux Belgium.

2006 - April – national exhibition Gallery of Arts in Shkodra.
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2005 - November -,. national exhibition Gallery of Arts in Shkodra
2005 - May -, National Gallery of Art in Tirana.
2005 - May -, Ministry of Culture, Pristine, Kosovo.
2005 - April - KUD France Arts and Cultural Centre, Ljubljana.
2005 - Partecipation at the Marubi Competition, ,National Gallery Tirana

2005 “Gallery 28” Timisoara, Rumania.
2004 - September “Yubin International Cultural Center” Beograd.
2004 - May - “Balkan Art” Ulqin, Montenegro.
2003 - Onufri Competition, ,National Gallery Tirana Albania .
2003 - November – Gallery “Eugenio Maccagnani” - Lecce - Italy.
2003 - May - Palazzo Vecchio- Bagnacavallo - Italy.
2002 - Marc- “Marubi 2002” National Gallery Tirana
2001 - December - Casina Vernazza - Cavallino - Italy.
2001 - December –Torchio d’Arte “LA STELA” -Lecce -Italy
2001 - November- “Galerija Vir” - Virpazar - Montenegro.
2001 - Marubi Competition, , National Gallery Tirana.
1994 - August- “JP Kulturni Centar” - BAR , Montenegro.; 14 June 2007 at 06:16

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CONCEPT

Albania

A New Visual (E)vocation wants to emphasis the interesting new artistic mood in the country trough pieces of art that are strongly connoted by an evocative atmosphere; each one in fact, in different ways, is deeply metaphoric and has in itself the aim of being strongly representative of the reality, but above all it wants to show the real feelings of each artist about the world, especially the country and the society they live in. Even the ones who seem to relate only with their inner inside evocate indeed the fact of being part of a country which is complicated and fascinating at the same time.

Albania can be seen as a ‘virgin’ land, one that has risen and looked with a critical eye over the world of the contemporary art scene indeed because has been out of it for such a long time. A world which so often appears bored with itself, its mechanisms of exploitation and violence, its attempts to defile the simple expressive ability of an image to move, twisting it into some perverse intellectual game.

This exhibition wants to experience its artistic vocation, which tries to evoke the sign of the past but also has a deep hankering after the future. The theme that I propose is simple. The interest is in all the visual arts that are to me, opportune to represent the sensibility of the country: visual Art that looks at Albanian society and its history, that investigates its roots, its memory, the prerogatives of the language, the sense of belonging to a geographic place, the sense of being a depositor of history that is actually changing under the deep mark of fast and heavy globalisation. My aim is to investigate all this trough the sensitive eye of each artist exploring the all around , utilizing the aesthetic approach to the reality with a critical and sharp point of view.

The pieces of art also consider the experiences of separation, going away physically or ideologically from one’s own culture; the interactions, the clutches, the affinities and contrasts between the known and unknown, the influence of myths, its heritage, the conditioning of the national flag; but above all the exibition tries to go deeper into understanding into the real how and why of their artistic production. How can they give new meanings to ideas recollected from a past age or recovered from underneath the cultural conditioning?

My aim is essentially a search and documentation of change trough an evocative sign. The change that comes from distress, from regret; the change that is springing up as a result of new intellectual forces; the changes that result from the popular and the spontaneous; and the change that is coming about as a consequence of contemporary artistic expressions, which desire, above all else, concepts and events in evolution.

TIMES

Preliminary Phase : January to March 2007. Research about the Albanian history of art from the neolitic ceramic to the contemporary visual art, in particular about the latest albanian artists working abroud and the great development that has been given to the visual arts during the last few years either in the public galleries and in the private ones. First Phase: March-May 2007. Staying in Albania, research, finding the artists, keeping and developing the preliminar contacts with albanian public and private institutions. Second Phase: June-July 2007. Art Exibition in Scutari. August-September 2007. Art Exibition in Terni and Milan. Third Phase: Trying to estabilish new work contacts between italian galleries an foundation and the young albanian artists.